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BENEDETTA Movie Review: “An Erotic Celebration of the Soul and the Body”



Paul Verhoeven is one of the great provocateurs of cinema. The Benedetta plot revolves around the emergence of a dildo carved from a Virgin Mary statue. This incident undoubtedly led to the film's staking at the New York Film Festival and its outright ban in Singapore. Virginie Efira plays a novice nun who causes a mass frenzy, while Charlotte Rampling depicts a grumpy Mother Superior who claims that God's greatest miracles rarely happen in bed. In addition, Daphne Patakia as Bartolomea, Lambert Wilson as Le Nonce, and Olivier Rabourdin as Alfonso Cecchi all play in this movie. It's a movie that's generally good, pure, wholesome fun, and at the risk of insulting Benedetta. Below is more information about Benedetta's film.  

                                  Genre:   Drama, Lgbtq+, Biography, History

           Original Language:   French (France)

                             Director:   Paul Verhoeven

                           Producer:    Saïd Ben Saïd, Michel Merkt, Jérôme Seydoux

                               Writer:    David Birke, Paul Verhoeven

   Release Date (Theaters):   Dec 3, 2021, Limited

Release Date (Streaming):   Dec 21, 2021

   Box Office (Gross USA):   $354.3K

                             Runtime:   2h 11m


Benedetta's film is based on a true story. According to her, Benedetta Carlini was a real nun in Pescia, a small town in northern Italy at the beginning of the 17th century. When the Papacy found out about her relationship with one of her nuns while she was Abbess of the Convent of the Mother of God, she is stripped of her office and imprisoned. She had visions and even received the stigmata, according to her. She claimed in 1619 that she was visited by Jesus, who told her that she was to marry him. People began to doubt Benedetta's claims, and the investigation that followed uncovered the unlawful relationship.

when the film begins Virginie Efira is courageous in her role as Benedetta, who is first presented as a little girl being sold to a convent run by an abbess portrayed by Charlotte Rampling.  Her body was property even as a child, and she bargained with the monastery for the best price. "Benedetta" then skips forward 18 years, to the point where the main character begins to see visions of Jesus. Bartolomea, a young woman, seeks safety in the convent from her abusive father. Benedetta is in charge of integrating Bartolomea, who is poor and uneducated, into the convent's life. Bartolomea tells Benedetta that her father and brothers sexually abused her. Bartolomea kissed Benedetta that night. Benedetta advises Bartolomea that the Abbess and her daughter, Sister Cristina, should be careful.

Benedetta begins to have visions of Jesus calling her to join him and save her from danger. Benedetta develops a serious illness after a particularly fraught vision. Abbess Felicita entrusts her medical services to Bartolomea. Benedetta recovers her health and begins to teach the illiterate Bartolomea to read and write. Benedetta sees Christ hanging from the cross. He tells her to undress and touch her hands. The next morning, Benedetta wakes up with symptoms in her hands and feet. After An investigation has started. As people rush to check on her, she begins speaking in a male voice, chastising those who disbelieve her. Her forehead is now swollen and bleeding. Christina sees a shard of broken glass on the floor and informs her mother that she believes Benedetta inflicted the wounds herself. Benedetta is raised to the rank of abbess in place of Felicita at this time. Christina communicates her displeasure about this. Benedetta and Bartolomea have sexually in Felicita's old rooms. Using one end of a small wooden statue of the Virgin Mary that Benedetta had brought to the convent as a child, Bartolomea cuts a sex toy for her. Through a peephole in their chambers, Felicita sees Benedetta and Bartolomea having a sexual relationship.


A comet passes over the convent, which many people believe is a warning of a coming disaster. As the plague spreads across the countryside, Benedetta has a vision that Pescia will be spared and orders the abbey to be shuttered to prevent the infection. Felicita slips away and goes to see the local Nuncio, where she tells him about Benedetta's sexual indiscretions. As the plague worsens, Felicita returns to the abbey with the Nuncio. He establishes a court of inquiry to investigate Benedetta's actions. When questioned, Bartolomea denies having sex with Benedetta, claiming that she loves her other sisters just as much. The Nuncio's men torture Barolomea until she confesses to her sexual activities and brings the nuncio with the wooden dildo, who is behind a book in Benedetta's room. He has Benedetta arrested, but she returns to a male voice and attacks those who persecuted her, claiming that the nuncio will soon fall ill. The day has come for Benedetta's execution. The Nuncio is warned that the people of Pescia will not allow Benedetta's execution, but he goes forward. When the nuncio's men begin to burn Benedetta at the stake, they are attacked by the public. Untying Benedetta, Bartolomea discovers a bloody potsherd at her feet. A mob attacks and kills the Nuncio as he runs for safety. In an abandoned stable outside of town, Benedetta and Bartolomea awoke, having spent the night together. Insisting that the people need her, Benedetta heads off towards Pescia again.


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